Up Up, Down Down by Cheston Knapp

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Up Up, Down Down by Cheston Knapp

25.00

Claire's Pick: This lovely, meandering collection of essays covers everything from drinking games to UFOs to youth groups. You might recognize Cheston Knapp as the managing editor of Tin House magazine, and I think it’s this lit mag experience that allows him to bring a different mode of self-awareness to the personal essay. “Beirut,” the second essay and my personal favorite, is a sparkling and hilarious investigation of fraternity culture. Knapp handles the sort of bittersweet nostalgia for memories that are objectively not good experiences very well. If you liked John Jeremiah Sullivan’s Pulphead or Kent Russell’s I Am Sorry To Think I Have Raised A Timid Son, you’ll love Up Up, Down Down.

About the book: For fans of John Jeremiah Sullivan and Wells Tower, a “glittering,” (Leslie Jamison), “always smart, often hilarious, and ultimately transcendent” (Anthony Doerr) linked essay collection from the managing editor of Tin House that brilliantly explores the nature of identity.

Daring and wise, hilarious and tender, Cheston Knapp’s exhilarating collection of seven linked essays, Up Up, Down Down, tackles the Big Questions through seemingly unlikely avenues. In his dexterous hands, an examination of a local professional wrestling promotion becomes a meditation on pain and his relationship with his father. A profile of UFO enthusiasts ends up probing his history in the church and, more broadly, the nature and limits of faith itself. Attending an adult skateboarding camp launches him into a virtuosic analysis of nostalgia. And the shocking murder of a neighbor expands into an interrogation of our culture’s prevailing ideas about community and the way we tell the stories of our lives. Even more remarkable, perhaps, is the way he manages to find humanity in a damp basement full of frat boys.

Taken together, the essays in Up Up, Down Down amount to a chronicle of Knapp’s coming-of-age, a young man’s journey into adulthood, late-onset as it might appear. He presents us with formative experiences from his childhood to marriage that echo throughout the collection, and ultimately tilts at what may be the Biggest Q of them all: what are the hazards of becoming who you are?

With “an ordnance of wit” (Wells Tower) and “a prose style that feels both extravagant and exact, and a big, booming heart” (Maggie Nelson), Up Up, Down Down signals the arrival of a truly one-of-a-kind voice.

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